By Corey Pein
A scathing exploration into the guts of Silicon Valley, laying naked the greed, hubris, and retrograde politics of an that aspires to substantially remodel society for its personal benefit
At the peak of the startup growth, journalist Corey Pein set out for Silicon Valley with little greater than a phone and his wits. His target: to profit how such an overhyped may be able to maintain itself so long as it has. decided to chop during the clichés of huge tech — the relentless optimism, the incessant repetition of vacuous buzzwords — Pein made up our minds that he would have to take an method as unorthodox because the businesses he may quickly be protecting. to really comprehend the delirious truth of a Silicon Valley entrepreneur, he knew, he must inhabit that viewpoint — he must turn into an entrepreneur. therefore he starts off his trip — skulking via gimmicky tech meetings, pitching his over-the-top company rules to traders, and interviewing a solid of outrageous characters: cyborgs and con artists, Teamsters and transhumanists, jittery hackers and naive upstart programmers whose whole lives are controlled by way of their employers — who paintings perpetually and obediently, by no means pondering to query their position within the system.
In exhibiting us this frantic global, Pein demanding situations the confident self-image that the tech tycoons have crafted — as benevolent creators of wealth and chance — to bare their self-justifying perspectives and their insidious visions for the long run. vibrant and incisive, Live paintings paintings paintings Die is a troubling portrait of a self-obsessed bent on enforcing its anxious visions at the remainder of us.